Trinity as Song

Bad analogies of the Trinity abound (i.e. Father-Son-Brother; Ice-water-vapor). Richard Baxter found the Trinity under every rock. Though see God everywhere can be a good thing, drawing uncritical analogies is another. Often the oneness, or indwelling of thre persons of the Trinity is missed in analogies. This aspect was called perichoresis by early church fathers. Although the earlier Cappadocian fathers discussed the Trinity in perichoretic terms, it was a 7th century theologian, John of Damascus, who coined the term perichoresis (peri = “around”) and (choresis = “dance”). Perichoresis refers to the mutual indwelling of the Father and the Son and the Holy Spirit within the blessed Trinity. The idea is that the three persons relate to each other in fluid, dance-like motion, each person critical for the dance to be executed properly. The image also gets at the joy of the Trinity, a God who dances.

Perhaps a better analogy would be that of Song. Consider a three piece band– each person of the Godhead making music through the unique instrumentation of their personhood, without which the song would be incomplete and dissonant. The Father, the vocalist; the Son the lead guitar; and the Spirit the drums. As the vocalist, the Father gives the Song its lyrical direction and purpose. As the lead guitar, the Son’s combinations of chords musically embody the words of the Father. He is known to play stunning ‘guitar solos’. The Spirit faithfully and consistently pumps out the backbeat of the Eternal Song. He keeps its rhythm, its time, holding the song together. Without the drums, song isn’t the same; it isn’t the Song. The Trinity-as-Song reveals the harmonious, interweaving nature of the Godhead, each “instrument” a crucial part of the Song. If one person is removed, there is no song. The melodies, harmonies and sounds that comprise the Song produce music that thrills the human soul. The eternal Song can not be dislodged from its prominent, everlasting spot as number one, top of the cosmic charts. It is the Song of all songs.

The Supremacy of God in Preaching

As a budding preacher, I can use all the help I can get. There are all kinds of books on preaching, but very few on the preacher. To be sure, books on technique and mechanics have their place; however, the market has a glut of those. Therefore, a book makes all the difference when it takes a God-centered approach to preaching, one that puts the preacher in his place before a holy and supreme God. One such book is John Piper’s The Supremacy of God in Preaching. Here are a few quotes that have fed me so well, I’ve memorized them and one extra by Cotton Mather.

“The cross is also the ground of the humliity of preaching because the cross is the power of God to crucify the pride of both preacher and congregation.”

“Don’t strive to be a certain kind of preacher, strive to be a kind of person.”

“The Spirit-filled preacher has a tender affection that sweetens every promise and soften, with tears, every warning and rebuke.”

“The grand design of a Christian preacher is to restore the throne and dominion of Christ in the souls of men.” – Mather

Pied Beauty

Have you ever considered the beauty of dappled things, pied beauties? Hopkins did and has inspired me to take note of the brinded cow, stippled trout, the mottled leaves. Hopkins was trained at Oxford and later became a Jesuit priest. Upon his induction into the priesthood he burned much of his work. However, he must have eventually realized that Christ is not only against (some) culture; he is for it, for its beauty and transformation, since Hopkins took up the pen later on in life to create some of his best work.

Gerard Manley Hopkins (1884-89)

GLORY be to God for dappled things—

For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough; 5
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change: 10
Praise him.